How ATEEZ’s Third Billboard 200 No. 1 With GOLDEN HOUR : Part.5 Proved Their Lasting U.S. Album Power

ATEEZ’s third Billboard 200 No. 1 is more than a headline for ATINY. With GOLDEN HOUR : Part.5, the eight-member group earned its biggest U.S. opening week yet, turning a steady rise across several releases into a clear statement of repeatable album power.

The five-track EP debuted atop the Billboard 200 dated July 11, 2026, with 228,000 equivalent album units. It is ATEEZ’s third chart leader in three years, but the deeper story is the consistency behind it: nine consecutive top 10 albums since 2022 and a sales base that continues to grow across both the United States and Korea.

How GOLDEN HOUR : Part.5 reached No. 1

Billboard reported that GOLDEN HOUR : Part.5 opened with 228,000 equivalent album units in the United States. About 223,000 of those units came from traditional album sales, while roughly 5,000 came from streaming-equivalent units.

That makes this ATEEZ’s largest U.S. sales week to date. The EP also opened at No. 1 on the Billboard Top Album Sales chart, making the central force behind the result especially clear: ATINY showed up as album buyers in a market where streaming usually dominates the conversation.

The project was released June 26, 2026, led by Brazilian funk-influenced title track BAD. Its five-song tracklist also includes MAMACITA, TOXIN, Fallin’, and Body, placing a compact release at the center of one of the group’s biggest commercial milestones.

ATEEZ’s path to a third Billboard 200 No. 1

A third No. 1 matters because it follows a pattern rather than an isolated breakout. ATEEZ first topped the Billboard 200 in 2023 with THE WORLD EP.FIN : WILL, which opened with 152,000 units. Their second leader, 2024’s GOLDEN HOUR : Part.2, opened with 184,000 units.

• 2023: THE WORLD EP.FIN : WILL earns ATEEZ’s first No. 1 with 152,000 units.
• 2024: GOLDEN HOUR : Part.2 becomes the group’s second No. 1 with 184,000 units.
• February 2026: GOLDEN HOUR : Part.4 debuts at No. 3 with 200,000 units.
• 2026: GOLDEN HOUR : Part.5 reaches No. 1 with a career-high 228,000 units.

Even GOLDEN HOUR : Part.4, which did not top the Billboard 200, showed that ATEEZ’s U.S. audience had expanded. Its 200,000-unit opening created a strong baseline, while Part.5 pushed beyond it and returned the group to the summit.

The nine consecutive top 10 entries are the most durable measure of this run. A No. 1 can reflect a particularly strong release week, but nine straight top 10 placements show that ATEEZ have built a recurring presence on the main U.S. albums chart.

Why physical album sales are central to this result

The 223,000 traditional album sales behind ATEEZ’s Billboard 200 victory reveal how the group’s U.S. chart success works. GOLDEN HOUR : Part.5 was supported by roughly 30 CD versions and five vinyl variants, with editions featuring collectibles such as photocards, posters, stickers, and some signed copies.

That approach gives fans several ways to engage with a comeback beyond simply streaming its title track. In K-pop, physical releases can function as music products, collectible items, and visual extensions of an era, especially when multiple versions offer different packaging or inclusions.

The result confirms strong purchasing power and organized retail demand from ATINY. It does not automatically measure every kind of mainstream reach, such as streaming habits across casual listeners, but it does establish ATEEZ as one of the most dependable physical-album acts in the U.S. market.

The Korean sales record makes the story global

The Billboard 200 achievement was matched by a major Korean sales result. Hanteo Chart recorded 1,885,712 copies sold during GOLDEN HOUR : Part.5’s first week, making it ATEEZ’s biggest first-week total.

That figure surpassed the 1,707,870 first-week copies recorded by THE WORLD EP.FIN : WILL in 2023. It also moved beyond the approximately 1.54 million first-week total for GOLDEN HOUR : Part.4 earlier in 2026.

KQ Entertainment described Part.5 as the group’s seventh million-selling album overall and its sixth to pass one million copies in its first week. Meanwhile, the EP reached No. 1 on iTunes Top Albums in at least 26 regions, showing that the sales story was not limited to Korea or the United States.

What ATEEZ’s chart streak means going forward

ATEEZ’s third Billboard 200 No. 1 places the group in a different stage of its U.S. career. The achievement is not built on one viral moment or one surprise release. It follows a multi-year progression of larger opening weeks, repeat top 10 placements, and increasingly ambitious physical-album campaigns.

For U.S. fans, the next questions are less about whether ATEEZ can chart and more about how the group’s growing demand will shape future promotions, releases, and live plans. Additional American dates have not been confirmed, but the commercial case for another major U.S. chapter is stronger than ever.

Whatever follows, GOLDEN HOUR : Part.5 has given ATEEZ a clear benchmark: a third Billboard 200 No. 1, a career-best U.S. week, and proof that the group’s chart presence has become a sustained part of the K-pop landscape.